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1
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Josef Weinberger
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arr
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later additions included
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Hermine - Josef Weinberger arr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and Hubička as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and Libuše (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00 ≈
13.06€
Collected Vocal Ensembles, Volume I
Collected Vocal Ensembles, Volume I
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Hawley
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Collected Vocal Ensembles, Vol
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William Hawley
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.889694 Composed by William Hawley. Contemporary. 364 pages. William Hawley #3515605. Published by William...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.889694 Composed by William Hawley. Contemporary. 364 pages. William Hawley #3515605. Published by William Hawley (A0.889694). This collection of vocal ensembles by William Hawley presents fifteen of his secular works in this genre composed from 1981 to 2017, including an Appendix of seven later additions. The Eight Romances remain in manuscript, from which they were performed last century, and have been scanned for inclusion in the collection. The rest of the works have been computer engraved by the composer. Instrumental Parts, where required, are included in the volume, appended to the full scores in each case. A full Table of Contents and complete Bookmarks in hypertext are included, referencing each movement in the ensembles. The audio clip is from the World Premiere of Celia (1998), performed by The South Bend Chamber Singers, Nancy Menk conducting.
$16.99 ≈
15.85€
A Holly Jolly Christmas - Fingerstyle (Solo Guitar)
A Holly Jolly Christmas - Fingerstyle (Solo Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Noël
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Johnny Marks, Burls Ives'
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Dr
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A Holly Jolly Christmas - Fing
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Burdeti Music Press
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SheetMusicPlus
Guitar Tab - Intermediate - By Johnny Marks, Burls Ives'. Arranged by Dr. A. Burdeti. Individual Part, Score, Solo Part, Tablature. 11 pages. P...
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Guitar Tab - Intermediate - By Johnny Marks, Burls Ives'. Arranged by Dr. A. Burdeti. Individual Part, Score, Solo Part, Tablature. 11 pages. Published by Burdeti Music Press
History:
"A Holly Jolly Christmas" was written by Johnny Marks in 1962. The song was re-recorded by Burls Ives and released in 1964 as a single and later featured the following year in his 1965 holiday album, Have a Holly Jolly Christmas. It features an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. It is also the version this guitar arrangement is based on.
About:
The arrangement presented in this edition is for solo guitar in Fingerstyle/Classical guitar style. The score remains extremely faithful to the original melody but with some pleasant additions such as a fun little jazz ending twist, an inspired blues lick (based on Burls Ives' famous recording) opening and closing the piece. The arrangement is as idiomatic as can be for the guitar. No details have been left out and the score is made with lots of care.
This piece is a perfect choice for early intermediate and intermediate guitarists, and especially for students that are playing in a Christmas recital. The score includes Notation, Notation & Tablature and Chords!
? Great Versatility : Notation, Tablature and Chords included!
? Faithful to Burls Ives' famous recording of the piece, but with added
? This version is arranged for a "Fingerstyle/Classical" type of playing!
? Features two sections where the melody is in a bass for more variety and contrast!
? For more Christmas music for guitar, please check my Publisher Page.
Feel free to leave a review or comments below!
$4.99 ≈
4.65€
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later additions included 
